While the game is unreleased (and thus not easily exhibited here), I've been working on WildStar since early 2011-- first as a Content Designer (Quest design, game scripting, writing, etc.) and now as a Cinematics Designer, which involves doing a lot of scripting and a little bit of everything else. There's also plenty of Marketing content that I've assisted with, which you can read more about below.

The WildStar Flicks series has, from the beginning, been a 100% developer-driven effort to communicate WildStar's personality in ways that regular gameplay videos can fail to demonstrate.

On every film, I work with our team lead and animators to get each sequence scripted and assembled in-game, rendered in multiple passes, and assembled during postproduction. The primarily challenge of this process is the fact that our films rely on a constantly changing game not built for frame-by-frame image rendering. Through constantly improving workflows, developing tools through WildStar's LUA-based addon system, and working directly with our team of engineers, we've been able to push the boundaries more and more with each new episode.

Outside of my day job, I've developed a niche helping content creators and game streamers present their brand on Twitch.TV and other sites. Whether your need is for slick overlays, logo design, scoreboards, or just giving your current design some polish, I'm always looking for the next side project. Please contact me with your needs and a request for a quote.

As described on TVTropes.org --

The Daily Blink is a World of Warcraft webcomic launched in January 2010. The first strips (as the name suggests) presented the comic as a fake news source for the World of Warcraft universe a la The Onion, complete with advertising parodies, but over its short life it has quickly grown into something more thematically bizarre, technically complex, and universally silly.

The strip incorporates Machinomic tactics, typographic gags, and a hefty helping of Photoshop to create anything from story-driven multipanel cartoons to parody magazine covers. Individual entries satirize the game universe as well as the real world culture of World of Warcraft fans, with a special emphasis on forum debates, recent news, and controversies within the player base.

DevSpeak, the Cinematics Department's second major line of content, was conceived early on as a way to get past the pitfalls of having to tell people how good the game is, simply showing it -- and letting people come to that conclusion on their own.

Though no longer involved in the day-to-day production of making new episodes, I supply the capture artists with an in-game suite of tools built for machinima production, as well as contribute to the disclaimers that appear in the introduction.

Riff Raff Theater was a 'fan riffing' group that originated on the forums of Rifftrax.com, the post-MST3k project of Mike Nelson, Kevin Murphy, and Bill Corbett. Utilizing crowdsourcing methods to allow fans to contribute to jokes and get involved with the creative process, we were recruited by Rifftrax to assemble a script for Batman and Robin: a movie so bad, that Mike would do anything to avoid having to watch it repeatedly, including delegating the writing duties to us.

Outside of this collaboration, our performance group (consisting of myself, Dave Atwater, and Todd Gutknecht) did regular shows at the Englert Theatre in Iowa City, IA and released mp3's on Rifftrax's fan-riff marketplace. A total blast of a project, and something I haven't quite given up hope on doing again someday.

The best possible summary of my experience working on Pink Five without writing a full-on blog post: It was my first major project after moving to Hollywood as a bright-eyed kid from the midwest, I was given responsibilities far beyond what my resume suggested I could handle, I learned a decade's worth of experience under the mentorship of director Trey Stokes (who knew my capabilities far better than I ever did), and I wouldn't trade the experience for anything... except *maybe* all the sleep I never got. (Nahhhhhh.)

Part of the Art team at Budcat Creations, with credits in Band Hero (PS2), Guitar Hero 5 (PS2), and Guitar Hero: Metallica (PS2/Wii) before shifting over to a role in design.

Yes, we did ports. Even so, I was pretty proud of the work we did, especially on GH: Metallica. It wasn't the most glamorous project, but we got *everything* from Neversoft's 360/PS3 version onto the Wii and the PS2 -- every non-DLC feature, every character, on schedule, and without destroying the enjoyment of the game from the inside out. I spent the majority of my time poly-reducing and retexturing venues, as well as working on character models. Despite our hard work, and the best efforts of our bosses, Metallica did not make their dream come true, and visit Iowa for a tour of the studio.

(Also despite the best efforts of our bosses, Activision did not keep Budcat open for much longer.)